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Isaac Whitney

How would you describe your art style?

It's something that is constantly evolving, but I prefer that. I've noticed some common themes that I am continually drawn to though. I am fascinated by contrast, be that light and dark, order and chaos, or even between two colours. There is usually an equilibrium I am trying to achieve between these aspects in all my work and I believe this applies to all creative disciplines.

Do you feel you're more creative in shared studio spaces or on your own?

Yes! I definitely prefer working within such an incredible community of artists here at Assembly House. I often have daily conversations with other creatives, discussing ideas and getting feedback on projects, but more importantly it's just lovely to be around and make friends with likeminded people. I've also found it's much better for my mental health and makes me feel much more human and part of something, rather than working in isolation somewhere.

What drew you to painting with ink? And how do your art styles differ when you paint with oils instead? 

I began painting with ink more often while attending life drawing sessions at Left Bank in Leeds. The ink enables me to get a lot of information down quickly, which is helpful in the faster poses, without the need to mix up colours. I initially work in washes using a lot of water, before going in with the concentrated ink to create sharp contrasts and bleeding effects.

With oils my process is much more considered, working in many layers and building compositions over time. However, the same themes of playing with chaotic elements and control still persist throughout, often drawing inspiration from my life drawing and more figurative works.

Does your art and creativity stay in the studio, or do you create at home/ out and about?

I try to keep the physical act of creating in the studio as much as possible. However, I am a firm believer that as an artist, the ‘work’ never really stops. There is the constant, often subconscious gathering of ideas and inspiration, from everyday life, and immersing myself in culture. I can then bring these to blossom back in the studio.

Is there anything you like to listen to while painting? If so, does this ever affect your artwork? 

When painting I like to listen to either audiobooks or a long album/playlist. But it really depends on the stage of the process for me, for example in the early stages when a lot of thinking and problem solving is involved, I can’t listen to anything too fun or distracting! Some recent books I’ve enjoyed and would recommend are ‘The Creative Act’ by Rick Rubin, and ‘Faith, Hope, & Carnage’ by Nick Cave and Sean O’Hagan.

How did you get into art and at what age?

From a very early age I was always drawing, and throughout school I would secretly fill my textbooks with drawings, starting on the back pages to hide it! (I particularly enjoyed using the squared maths paper)

After studying Graphic Design at university, I took a long break from art, partly due to mental health issues I was having but also becoming a bit disillusioned with arts education. It wasn’t until the pandemic that I got back into it and began painting seriously again, rediscovering my lost passion.

Have you had any creative challenges or creative aids?

As I mentioned I began painting again during the pandemic, I was self-employed working in the events industry at the time, so there was no furlough for me, nor did I qualify for any other financial support. It was difficult to say the least, but the perfect time to change your life path completely! Other than that, it’s the constant struggle of all emerging artists these days, juggling finances, time and working other jobs to get by.

However, Assembly House, where my studio is based, have been a great help to me. From providing me with the space to create whatever I want, the fantastic community of artists and also the opportunities that come from being involved here.

How do you stay motivated and inspired when facing creative challenges or blocks?

I often find it helpful to take a step back, either to work on another artwork or do something else entirely. Sometimes all a creative block needs is time and space, but I believe by engaging in fulfilling experiences, spending time with people and enjoying life, you are able to bring your best ideas back to the table refreshed.

I don’t usually have a problem with motivation, but I take my health, diet and mental wellbeing very seriously and this helps to keep me productive in the studio. Being an artist is often a challenging and unstable career path, so any lifestyle choices I can make to aid that are of great benefit.

What advice would you give to aspiring artists who are just starting out their creative journey?

Follow what excites you, you are the only person with your voice, and don’t pay attention to what you think the audience may want.

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